Carrie Suzanne Carlson
Carrie Carlson is a Chicagoland native. She earned a BA in Biology and Art from Luther College (Decorah, IA), an MFA in Scientific Illustration from the University of Michigan (Ann Arbor, MI), and recently an MA in Printmaking from Governors State University (University Park, IL). Since 2001, she has been a full-time high school educator in the south suburbs of Chicago where she has split her years between the science and art departments; teaching Drawing, Painting, International Baccalaureate Visual Arts, as well as Biology, Biomedical Sciences, and Horticulture. She also teaches a variety of adult art courses at the Morton Arboretum including linoleum block printing, drawing birds, and field sketching.
As a scientific illustrator, art and science are tightly twined together in my life and I am inspired to celebrate this through landscapes, botanical studies and portraits of nature’s smallest objects and winged creatures. I hope to reveal a bit of the wonderment I find in simple subjects by drawing attention to something beautiful or unique about them that might normally be overlooked or taken for granted. I am especially interested in raising awareness about issues faced by threatened or exploited populations, be they human, bird or bumblebee.
Field sketching is a cornerstone of scientific illustration. I cannot imagine visiting a local zoo, much less traveling abroad, without a sketchbook. Travel and field sketching generate a deeper appreciation for humanity and the planet. The act of drawing forces us to slow down, to notice, reflect, cherish, and consider… What I gain from these experiences is a passionate environmentalism and driving responsibility to speak up for underserved populations. Through my artwork, I pray my steady, hopeful voice brings greater attention to how we can contribute to solutions and healing.
If field sketching sparks new awareness and intimacy with the natural world, then creating finished prints satisfies an eagerness for studio challenges. I greatly enjoy learning the complicated processes of traditional printmaking. Relief printing, linoleum block in particular, has been an especially satisfying outlet for my creative energies.